{"id":17057,"date":"2023-12-08T00:06:52","date_gmt":"2023-12-08T00:06:52","guid":{"rendered":"http:\/\/ec2-54-86-215-170.compute-1.amazonaws.com\/index.php\/2023\/12\/08\/port-au-prince-et-sa-douce-nuit-2\/"},"modified":"2025-07-18T17:04:32","modified_gmt":"2025-07-18T17:04:32","slug":"port-au-prince-et-sa-douce-nuit-2","status":"publish","type":"post","link":"http:\/\/betatest.fokal.org\/index.php\/2023\/12\/08\/port-au-prince-et-sa-douce-nuit-2\/","title":{"rendered":"Port-au-Prince et sa douce nuit"},"content":{"rendered":"

Port-au-Prince et sa douce nuit<\/strong><\/p>\n

Prix RFI Th\u00e9\u00e2tre 2022<\/strong><\/p>\n

Festival En Lisant<\/strong><\/p>\n

14 et 15 d\u00e9cembre \u2013 3 h pm<\/strong><\/p>\n

Institut Fran\u00e7ais<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

cr\u00e9dit photo \u2013 Pierre-Michel Jean<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

Texte\u00a0: Ga\u00eblle Bien-Aim\u00e9<\/strong><\/p>\n

Mise en sc\u00e8ne : Mich\u00e8le Lemoine<\/strong><\/p>\n

Interpr\u00e9tation : Charline Jean-Gilles (Zily), Lesly Maxi (F\u00e9rah)<\/strong><\/p>\n

Assistants \u00e0 la mise en sc\u00e8ne\u00a0: Kav-Alye Pierre, Gertrude-Hugh F\u00e9vrier<\/strong><\/p>\n

Lumi\u00e8res\u00a0: Jean Ronald Pierre<\/strong><\/p>\n

Son\u00a0: Albert Kevengson Junior <\/strong>et Mich\u00e8le Lemoine<\/strong><\/p>\n

Merci \u00e0\u00a0: <\/strong>Pierre-Michel Jean, \u00e0 Paula Clermont P\u00e9an, Nerlande Silva et Clifford Guerrier du Centre Culturel Pyepoudre), pour leur aide pr\u00e9cieuse<\/p>\n

Dans le cadre du Festival de Th\u00e9\u00e2tre En Lisant, Mich\u00e8le Lemoine met en sc\u00e8ne la pi\u00e8ce \u00ab\u00a0Port-au-Prince et sa douce nuit\u00a0\u00bb, de Ga\u00eblle Bien-Aim\u00e9, texte laur\u00e9at du prix RFI th\u00e9\u00e2tre 2022 et invit\u00e9e sp\u00e9ciale du Festival.<\/strong><\/p>\n

Un chant d\u2019amour, obstin\u00e9ment*<\/span><\/p>\n

Une chambre. Un homme et une femme. Zily et Ferah Enferm\u00e9s. Toute la nuit de Port-au-Prince. Ils s\u2019aiment. Toute la nuit. Ils se parlent. Se disent. Disent la ville. Ses souvenirs. Sa violence. Le combat parfois d\u00e9sesp\u00e9r\u00e9 du quotidien. La hantise du d\u00e9part. L\u2019angoisse de la s\u00e9paration.<\/p>\n

La plus profonde intimit\u00e9<\/em><\/p>\n

L\u2019\u00e9lan insens\u00e9 de la passion la courbe insens\u00e9e du d\u00e9sir<\/em><\/p>\n

La souffrance et la rage les ravages int\u00e9rieurs<\/em><\/p>\n

L\u2019impossibilit\u00e9 d\u2019\u00eatre heureux l<\/em>\u2019impossibilit\u00e9<\/em> d\u2019avenir<\/em><\/p>\n

Abandonner la surface pour s\u2019immerger en eaux profondes<\/em><\/p>\n

\u00c9couter l\u2019angoisse du silence \u00e9couter la violence de la nuit<\/em><\/p>\n

Composer note apr\u00e8s note le p\u00e8lerinage du souvenir<\/em><\/p>\n

Et dire la ville aujourd\u2019hui assassine et terrifiante<\/em><\/p>\n

Son meurtrier chaos l\u2019absolu chagrin de son futur d\u00e9sert<\/em><\/p>\n

Pourtant hier t\u00e9moin palpable rue par rue<\/em><\/p>\n

d\u2019un amour<\/em><\/p>\n

Partir aimer rester partir habiter l\u2019impossible<\/em><\/p>\n

Construire au fil des mots des \u00eatres leurs complexes arcanes<\/em><\/p>\n

Et dire<\/em><\/p>\n

Au vertige des mots au d\u00e9sordre des corps<\/em><\/p>\n

Un chant d\u2019amour, obstin\u00e9ment<\/em><\/p>\n

Mich\u00e8le Lemoine<\/p>\n

Titre tir\u00e9 de l\u2019article de \u00c9lara Bertho\u00a0: Ga\u00eblle Bien-Aim\u00e9, “Port-au-Prince et sa douce nuit” : \u00e9crire le corps de la ville, <\/em>publi\u00e9 sur le site de ALCA Nouvelle-Aquitaine<\/p>\n","protected":false},"excerpt":{"rendered":"

Port-au-Prince et sa douce nuit Prix RFI Th\u00e9\u00e2tre 2022 […]<\/p>\n","protected":false},"author":1,"featured_media":17056,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"give_campaign_id":0,"footnotes":""},"categories":[140],"tags":[],"class_list":["post-17057","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-nos-programmes"],"_links":{"self":[{"href":"http:\/\/betatest.fokal.org\/index.php\/wp-json\/wp\/v2\/posts\/17057","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/betatest.fokal.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/betatest.fokal.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/betatest.fokal.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/betatest.fokal.org\/index.php\/wp-json\/wp\/v2\/comments?post=17057"}],"version-history":[{"count":2,"href":"http:\/\/betatest.fokal.org\/index.php\/wp-json\/wp\/v2\/posts\/17057\/revisions"}],"predecessor-version":[{"id":19083,"href":"http:\/\/betatest.fokal.org\/index.php\/wp-json\/wp\/v2\/posts\/17057\/revisions\/19083"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/betatest.fokal.org\/index.php\/wp-json\/wp\/v2\/media\/17056"}],"wp:attachment":[{"href":"http:\/\/betatest.fokal.org\/index.php\/wp-json\/wp\/v2\/media?parent=17057"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/betatest.fokal.org\/index.php\/wp-json\/wp\/v2\/categories?post=17057"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/betatest.fokal.org\/index.php\/wp-json\/wp\/v2\/tags?post=17057"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}